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SMILE OF THE BUDDHA: |
| Influences in
Western Art from Monet to the Present, by Jacquelynn Baas
(University of California Press, forthcoming, Winter 2004). |
SMILE OF THE BUDDHA investigates the impact of Asian worldviews, and
Buddhism in particular, on the art of Europe and America, an impact
that has been far greater than historians and critics generally recognize.
Conceptually sophisticated yet disarmingly personal, the text is accompanied
by over 100 full-color illustrations that advance and solidify the
author's arguments.
Too often Buddhism is subsumed within general studies of "the
spiritual in art," or is linked with occultism. But occultism
is a Western phenomenon - ostensibly comprehensible only to those
already enlightened. In contrast, Buddha taught that wisdom is available
to everyone through an acceptance of the inevitability of change,
and the concomitant realization of the interdependence of all beings.
Understanding is reached through simple meditative practices that
allow the mind to experience the nature of existence. In the words
of the French Symbolist painter Paul Gauguin, "all people,
by virtue of the attainment of wisdom, are able to become Buddhas."
SMILE OF THE BUDDHA covers one hundred and fifty years of art history,
divided into five major categories: Impressionism and Symbolism,
Abstraction, Expression, Beyond the Visual and Light and Insight.
It focuses on twenty artists, from household names such as Claude
Monet, Vincent Van Gogh and Georgia O'Keefe, to those whose work
is less well-known outside of art circles such as Robert Irwin,
Ad Reinhart, and Agnes Martin.
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